After a chaotic and overstuffed premiere, Dexter: Original Sin finds its footing in Episodes 2 and 3, "Kid in a Candy Store" and "Miami Vice," offering a nostalgic flow that echoes the classic tone of the original series. While Episode 1, "And in the Beginning...," tried to cover a lot of ground by revisiting key moments from Dexter season 1, it struggled to balance the old and new characters. The new characters, in particular, felt somewhat forced, and it was difficult to get a natural sense of how they would fit into Dexter’s world. But Episodes 2 and 3 help smooth things over, and I found myself feeling far more invested in the story and characters.
The second episode unpacks Dexter’s second kill after Nurse Mary, while the third episode finally introduces Maria LaGuerta, who was mysteriously absent from the earlier episodes. Christina Milian’s take on Maria is a standout, and I honestly felt she nailed the essence of Luna Lauren Velez’s iconic performance while also adding her own spin to the role. Watching Milian's Maria, I couldn't help but think how much she elevated the character. Patrick Gibson’s portrayal of Dexter only gets more compelling as the series progresses—he’s really starting to embody the eeriness and nuance that made Michael C. Hall’s Dexter so captivating. Even more intriguing, though, is Harry’s backstory, especially the unexpected retcon that reveals Deb’s biological brother’s death. This twist adds a layer of complexity and emotional depth that I didn’t expect from a prequel series, and I’m honestly hooked to see where it goes.
Episode 2 takes its time laying the groundwork for the rest of the series, which felt a bit slow at first, but as Dexter settles into his role at Miami Metro, the pacing picks up, and it’s hard not to feel the pull of nostalgia. The Nurse Mary exposition and excessive use of licensed music (though I do have to admit, the Alice in Chains outro was a nice touch) started to fade into the background, allowing the show’s subtle details to shine. A personal favorite moment was the origin story behind Dexter’s donut offerings at Miami Metro—it was a small but sweet Easter egg that really made me appreciate how much care is being put into this prequel. It’s clear the creators want to honor the original series without merely copying it.
What initially felt like weak imitations of familiar characters—especially Batista and the side characters—start to feel more authentic in Episodes 2 and 3. The transition from early awkwardness to fully fleshed-out personalities had me feeling more comfortable in this new world. When Dexter locks his sights on a predatory loan shark responsible for the deaths of his community members, the familiar core of the original series starts to reappear, and it felt like Dexter once again. This shift, combined with the compelling flashbacks of Laura Moser and Harry, begins to silence any lingering doubts I had about the prequel’s potential.
The main question I had going into Dexter: Original Sin was whether Gibson could pull off the role of Dexter, and so far, I’ve been pleasantly surprised. He’s definitely growing into the role, and watching him prepare for his first kill was genuinely thrilling. Episode 3, especially, takes on that classic Dexter vibe—Dexter going undercover, locking onto a target, and operating in the shadows. It reminded me of the glory days of the show, where Dexter’s need to kill was balanced with his deep sense of moral conflict. This was something that was sorely missing in New Blood, where Dexter was completely out of his element in a colder, unfamiliar setting. In comparison, Original Sin feels like a return to form.
By Episode 3, the show had answered most of my initial questions about whether a prequel could work without Michael C. Hall, and it’s quickly becoming clear that it can. The intrigue is there, and the story is shaping up to be just as captivating as the original. Ferrer’s role as a mid-season side quest fits seamlessly, while the main narrative involving the masked man who kidnapped and maimed a judge’s son slowly builds in the background, leaving me eagerly anticipating what’s to come.
What really stood out in Episode 3 was how it captured the tension and tone of the original series, and I could feel myself getting more and more invested with each passing scene. Dexter’s eagerness to take down Ferrer paired with Harry’s growing concern for Laura’s safety created a great dynamic, and I couldn’t help but feel a sense of dread and anticipation building. I’m also hoping we get some major revelations about Laura Moser or even Dexter’s biological father, Joe, especially after that brutal shipping container scene.
By the end of Episode 3, I was hooked—no longer questioning if Dexter: Original Sin could live up to the legacy of the original series, but rather fully invested in where the story is going. The show has truly found its rhythm, and it’s starting to feel like a vintage Dexter season in all the right ways. It’s thrilling to know that a prequel, without the iconic lead actor, can still capture the same sense of suspense and complexity that made Dexter such an unforgettable show. I’m excited for what’s next.
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