'Murder in a Small Town' Premiere Review: A Very Slow Burn
Updated: Sep 27, 2024
"Murder in a Small Town," premiering this fall on Fox, attempts to bring a compelling blend of mystery and character-driven drama, anchored by a poignant connection to the late Donald Sutherland through his son, Rossif Sutherland, who takes on the role of police chief Karl Alberg. The series adapts L.R. Wright’s acclaimed novels, particularly "The Suspect," known for its rich storytelling and depth, which provides a solid foundation for the show.
Procedurals are indeed a staple of cable TV, but breaking through the clutter requires a unique hook to keep audiences engaged. Shows like "Law & Order: SVU" and "True Detective" have maintained their appeal by offering fresh perspectives and compelling characters, but not every series can hit that sweet spot.
"Murder in a Small Town," presents a more traditional approach without the flashy gimmicks that often define successful procedurals. The absence of a standout "superpower" or intricate mystery device makes it more reliant on character development and interpersonal dynamics, which can be a double-edged sword.
While the slow-burn start aims to create depth and build tension, it also risks leaving viewers unsure about the stakes as the season progresses. Without a gripping narrative hook, audiences might struggle to remain invested, especially in an era dominated by fast-paced storytelling and high-stakes drama on streaming platforms. To retain viewers, the series will need to demonstrate that the slower pacing ultimately leads to meaningful revelations and character growth, elevating the typical procedural format in a way that resonates with modern audiences.
The series opens with a gripping scene: Carlyle Burke, an elderly man, is found dead in his living room, setting the stage for a compelling murder investigation. This immediate sense of intrigue pulls viewers in, especially as we meet Karl Alberg, portrayed by Rossif Sutherland. As a small-town sheriff still adjusting to his new environment, Karl’s character provides a relatable anchor in this mystery.
The juxtaposition of the murder investigation with Karl’s budding romance with librarian Cassandra Lee (Kristin Kreuk) adds an engaging layer to the narrative. Their coffee date serves as a tender moment, highlighting both characters' vulnerabilities as they navigate the complexities of dating in the modern age. Cassandra’s candid remark about Karl’s appearance compared to his dating profile effectively establishes a charming chemistry between them, making their connection feel authentic and grounded.
As the investigation unfolds, Karl's growing suspicion of George Wilcox (James Cromwell) introduces a classic whodunit element. The idea that the person who discovered the body might be implicated adds tension and intrigue, effectively weaving together the personal and professional aspects of Karl's journey. This blend of romantic and investigative threads creates a rich tapestry for the series, but how well it maintains this balance will be crucial for keeping viewers invested. If the plot develops in a way that keeps the stakes high and the character dynamics compelling, it could carve out a unique niche in the crowded procedural landscape.
The pilot’s focus on the budding relationship between Cassandra and Karl effectively establishes an emotional core for the series. Their initial meet-up is well-crafted, showcasing their chemistry through natural dialogue and subtle body language. This instant connection allows viewers to believe in their potential romance, which is crucial for a series that aims to blend mystery with personal stories.
Kristin Kreuk’s experience in romantic roles, particularly in shows like Smallville and Beauty and the Beast, lends her a familiarity that makes her portrayal of Cassandra feel genuine and relatable. Her ability to embody a kind-hearted, cheery librarian creates a comforting presence, inviting viewers to invest in her character's journey alongside Karl. This dynamic is important, as their relationship offers a counterbalance to the darker themes of the murder investigation.
However, while their chemistry is a strong point, the success of this relationship will depend on how it evolves throughout the season. If the writers can maintain this level of depth and keep the romance intertwined with the central mystery, it could elevate the series beyond standard procedural fare. The interplay between their personal lives and the unfolding investigation has the potential to keep audiences engaged, particularly if the stakes continue to rise in both realms.
The pilot does present a familiar murder investigation framework, but the character of Karl Alberg sets it apart from typical procedurals. His unique approach—rooted in empathy and artistic sensibility—offers a refreshing take on the sheriff archetype, making him relatable and engaging.
The series appears poised to become more of a comforting evening watch rather than a tension-filled thriller. This could work in its favor, especially in an era where audiences appreciate character-driven narratives. With a pair of likable leads in Rossif Sutherland and Kristin Kreuk, viewers are likely to find themselves invested in their journey as much as the central mystery.
The contrast of a lighthearted small-town setting peppered with darker undertones from the crime adds depth, creating an engaging backdrop for character development. As long as the series can balance these elements effectively, it has the potential to resonate with viewers looking for both drama and comfort in their viewing experience. If it leans into its character dynamics while exploring the complexities of relationships and community life, "Murder in a Small Town" could carve out a niche for itself among audiences.
What did you think of the pilot? Sound off in the comments.
New episodes of Murder in a Small Town will air on Tuesdays at 9:00 p.m. ET/PT this fall.
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