'Only Murders in the Building' Review

In Season 4 of "Only Murders in the Building," the show leans into Hollywood satire in a way that adds an intriguing layer to its usual comedic and mystery-driven narrative. The fact that Charles, Oliver, and Mabel’s real-life sleuthing has inspired a screenplay within their universe introduces a playful critique of the film industry’s tendency to commodify and fictionalize real-life events.

This meta twist provides a satirical look at how stories are often adapted and sensationalized for the screen. The characters find themselves not only investigating a murder but also grappling with the idea that their lives and exploits have become the stuff of a Hollywood production. This mirrors the real-world phenomenon where personal stories and true crimes are frequently adapted into films and series, often distorting or embellishing the original events.

The character of Bev Mellon, a power producer played by Molly Shannon, embodies the relentless drive of Hollywood to capitalize on stories, regardless of their authenticity or the impact on those involved. Her push for the trio’s signature to finalize the film project highlights the industry's often exploitative nature, contrasting sharply with the characters' genuine motives for solving mysteries and connecting with each other.

By weaving this Hollywood satire into its narrative, "Only Murders in the Building" not only continues its tradition of blending humor and mystery but also offers a clever commentary on the intersection of real life and entertainment. This season promises to explore how the characters navigate this new layer of absurdity while remaining true to their quirky and endearing selves.

In the Season 4 premiere of "Only Murders in the Building," the characters embark on a field trip to Los Angeles as part of Bev Mellon’s pitch, though co-creator Martin's approach diverges from the nostalgic charm of his 1991 film, “L.A. Story.” Instead of basking in the sunny glamour of Hollywood, the show maintains its cozy, Upper West Side roots.

Fans who cherish the series’ signature blend of mystery and humor can breathe easy as the story returns to the Arconia, their beloved palatial building that serves as a microcosm of their world.

The move to LA adds a touch of showbiz flair, but the real heart of the show remains the quirky dynamics within the Arconia’s walls.

The introduction of a new corner of the building suggests fresh layers to explore in the familiar setting. This continued focus on the Arconia, with its eccentric residents and hidden nooks, ensures that the show’s trademark charm and comfort food appeal remain intact. Even as Hollywood antics briefly take center stage, the essence of the series stays rooted in the warmth and mystery of its Manhattan setting.

Season 4’s twist brings a fresh layer of intrigue with the introduction of the Arconia’s long-forgotten annex and its colorful new residents. The presence of notable characters like Stink Eye Joe and the film professor, along with the fitness influencer, adds a delightful touch of absurdity and star power.

Mabel's decision to squat in an empty apartment adds an extra layer of suspense, especially if it turns out to be tied to the ongoing mystery. This new batch of suspects not only enhances the show's dynamic but also deepens its exploration of eccentric personalities and their potential connections to the crime.

The movie within Season 4 injects a deeper emotional resonance and focus, particularly with Charles’ growing belief that Sazz’s fate was intertwined with his own. The show’s clever inside jokes and notable guest appearances like Eugene Levy and Zach Galifianakis add layers of meta-commentary, enriching the narrative. The exploration of the stunt community and the theme of capturing one’s essence offer poignant moments of introspection, giving the season a more profound edge alongside its usual humor and intrigue.

Charles’ voiceover question, “Is that really me?” encapsulates the season’s exploration of self-perception versus external portrayal. This theme resonates throughout the season as Oliver, Mabel, and Charles confront their insecurities and public images.

Oliver’s anxiety about how Zach Galifianakis perceives him, combined with his concerns about his girlfriend Loretta’s rising fame, highlights his struggle with self-worth and the fear of being overshadowed. Mabel’s discomfort at being reduced to a “jobless, homeless” stereotype reflects her ongoing search for identity and stability.

By shifting narrators and reducing the focus on the podcast, the season emphasizes character-driven storytelling, weaving together moments of melancholy and humor. The balance between introspection and levity—such as the charmingly named piglet, George Swinebrenner—keeps the show’s trademark blend of comedy and pathos intact. This nuanced approach enriches the narrative, giving depth to the characters’ personal journeys while maintaining the series’ unique comedic edge.

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