"Rescue: Hi-Surf" attempts to set itself up as an exhilarating addition to the action drama landscape, setting the stage on the stunning yet perilous North Beach of O’ahu. The series wants to blend high-stakes lifeguard duties with personal drama, in and effort to present a dynamic viewing experience.
I watched the series a few weeks back and criticized it for not being Baywatch. I was biased as someone that wanted my lifeguard show to be camp. This show is not it. After some time to sit with the show and reevaluate, some thoughts have changed.
Captain Harlan “Sonny” Jennings, played by Robbie Magasiva, leads a diverse team of lifeguards, each with distinct personalities and challenges. The tension between Em Wright (Arielle Kebbel) and Will (Adam Demos), combined with the humorous yet reckless character of Laka Hanohano (Kekoa Kekumano), creates a rich backdrop for both teamwork and conflict. The introduction of rookie characters, especially the contrast between the privileged mayor’s son and the working-class Hina (Zoe Cipress), promises interesting dynamics as they navigate the pressures of their roles.
What sets this series apart is its emphasis on physicality and authenticity. The immersive filming style, with the camera often submerged in water, offers viewers a visceral connection to the lifeguards’ experiences. The intense training and rescue scenarios highlight the demanding nature of their work, showcasing the actors’ fitness and dedication to realism. Scenes like Em submerged underwater with a boulder illustrate not just physical strength but also the commitment to portraying the lifeguard lifestyle accurately.
Under the helm of executive producer and showrunner Matt Kester, who has a background in surfing, the show appears to balance thrilling rescue sequences with heartfelt character moments. This blend of action and emotional depth could make "Rescue: Hi-Surf" a standout series, appealing to both fans of high-octane drama and those looking for relatable, character-driven storytelling. If it maintains this energy and engagement, it could resonate well with audiences seeking a fresh take on the genre.
The breathtaking visuals of O’ahu, captured by cinematographer Anka Malatynska, elevate the viewing experience, ensuring that every sunset and storm adds to the show’s allure. It’s clear that the production values are high, making good use of its stunning setting to create a visually immersive world.
The performances from the cast, especially Robbie Magasiva and Arielle Kebbel, effectively anchor the emotional weight of the series. Their character arcs—Sonny’s battle with personal demons and Em’s ambition—are compelling, and it’s great to hear that the show is investing time in developing these storylines over the season. However, it’s a valid point that some characters, like Will, might need more depth to stand out. Having more nuanced traits beyond their backgrounds could enrich the ensemble and help viewers connect more deeply with all the characters.
While the series leans into rescue operations, its emotional tone appears to be understated, focusing more on the action rather than melodrama. This shift away from a typical "Baywatch" vibe towards a more procedural feel, akin to shows like 9-1-1 and 9-1-1: Lone Star, positions "Rescue: Hi-Surf" as a thrilling drama with an emphasis on teamwork and the challenges faced by first responders.
With FOX aiming to fill the gap left by 9-1-1 moving to ABC, "Rescue: Hi-Surf" could find a solid audience among fans of action-packed dramas. Its combination of impressive visuals, strong performances, and a focus on real-life rescue scenarios suggests it has the potential to become a standout series in the genre. If it continues to develop its characters and maintain its thrilling pace, it could indeed be the next big hit for FOX.
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