Dear Santa has a straightforward premise that it explores in charming, humorous, yet uneven ways. The narrative centers on 11-year-old Liam, a smart but dyslexic boy who is on the verge of losing his belief in Santa Claus. Despite his doubts, he pens one final letter to the North Pole, giving Santa a “1% chance” of being real. Unfortunately, a spelling error sends the letter to Satan instead. Chaos unfolds when a large, bearded man (Jack Black) appears from Liam’s closet, confusing Satan with Santa. While this “Santa” vows to grant Liam’s holiday desires, the price might be his soul.
Robert Timothy Smith is wonderfully authentic as Liam, a boy dealing with more than just holiday uncertainties. His family has recently relocated to a new town, his parents are constantly arguing, and the absence of his older brother casts a shadow over them all. Liam finds comfort in his eccentric new friend Gibby (an outstanding Jaden Carson Baker), a fellow outsider whose wisdom surpasses his years. The backdrop of a struggling family adds emotional depth, though the film doesn’t dwell on these darker aspects for long.
The standout feature, as expected, is Jack Black’s delightfully wicked performance. With intricate horns, a fluffy red coat, and his trademark blend of charm and chaos, Black’s portrayal of Satan is reminiscent of Jack Nicholson, Orson Welles, and, naturally, himself. His comedic timing and mischievous energy are the film’s strongest assets, enlivening scenes that might otherwise be lackluster. It’s arguably Black’s most notable performance in years, comparable to his roles in Bernie and Don’t Worry, He Won’t Get Far on Foot.
The plot includes a predictable crush on a classmate, an exaggerated teacher and a therapist (Keegan-Michael Key, regrettably underutilized) brought in to address Liam’s delusions. The film even awkwardly includes a strange Post Malone cameo that ranges from surreal to pointless. Despite these peculiarities, the story tries to convey lessons about learning disabilities and family grief—although not always effectively.
The film struggles with its inconsistent tone and unsteady storytelling. Its depiction of middle school life often resembles high school, with characters acting older than their age. The jokes are inconsistent, the dialogue occasionally awkward, and the emotional moments sometimes feel forced. While there are standout scenes—such as the visually captivating representation of Satan’s lair or the enticing illusions he presents to Liam—the overall production lacks refinement. The static cinematography, basic editing, and uninspired design make it seem like just another forgettable holiday comedy.
Dear Santa shows moments of brilliance, but its inconsistency is a drawback. While Jack Black’s acting and some visually creative scenes may appeal to certain audiences, it’s unlikely to be remembered as a beloved holiday classic. By the following Christmas, many will have forgotten this quirky and somewhat entertaining misstep.
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